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For the have-nots of society, it is a constant challenge to put food on the table and keep up with the cost of medicine, let alone saving for a child’s education. In the constant struggle to improve social position and strive towards a better life, the grind/hustle/graft/struggle (the source of the next paycheck) is never far from thought.

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The following two lines are also a tribute to 2Pac, who on his track “Against All Odds” said:

Payback, I knew you bitch niggas from way back
Witnessed me strapped with Macs, knew I wouldn’t play that

Jay-Z paid a similar tribute to Pac in his song “Some People Hate”, saying:

Payback, I knew you bitch niggas from way back
Niggas wanna clown but the pound, it don’t play that

The similarity between Jay’s line and Game’s, coupled with the reference to button-up shirts is probably what attracted a lot of attention in the first place.

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Eyedea actually chipped his tooth on a microphone at a show. Using figurative and literal senses of the word chip, he describes aspects of both his appearance and his mentality.

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In a stunning tribute to both Public Enemy’s “Party for your Right to Fight” and the Beastie Boys“Fight for your Right (To Party)”; Slug presents 'Party for the Fight to Write’ – an ode to artistic freedom within Hip Hop.

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Sean Daley, one part of Atmosphere, raps under the name Slug, his persona on the mic. Artists often create different persona’s in order to show different aspects of themselves: Tupac created Makaveli, Eminem famously created Slim Shady.

Slug is demonstrating the ways the tension between his everyday self and his rapping persona often collaterally affects the people around him.

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Record stores became less and less common as vinyl was replaced by tape, then cd and finally digital music. However, vinyl is intrinsically linked to hip-hop. This is most likely what inspired Slug and others within the Rhymesayers crew to start Fifth Element, a hip hop record store in Minneapolis.

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A literal A-Z of rap. In a subtle lyrical exercise, Slug spends a line alliterating each letter of the alphabet in order, rhyming the lines in couplets.

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Track ten (and one of the more remembered) from Atmosphere’s debut album Overcast!. The beat samples a piece by John Williams which was used in the first Star Wars film: A New Hope. The comparison of samples can be found here.

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Everyone in Jay-Z’s team is a baller, either figuratively like Kanye or literally like LeBron.

Yeah, I’m talking LeBron, we ball in our family tree

Jay is also carefully structuring these two lines, referencing classic aspects of hip hop (one of its landmark albums, ILLmatic, along with the idea of ‘balling’ – which has been spoken on so many times by so many rappers that it has become a distinctive idea in hip hop, subject of one of 2011’s most memorable lines).

In the same breath, intermingling the ideas, Jay mentions two of the modern art world’s most distinctive names: Basquiat and Warhol (see above annotations).

The point of this song, and indeed its music video (which got its inspiration from the famous performance piece The Artist is Present by Marina Abramovic who made an appearance in the video), is to reconcile the two worlds: hip hop and modern art. By mentioning distinctive elements of both in the same breath, Jay is showing that this can be done. As he said, speaking about exactly this:

We’re artists. We’re alike, we’re cousins. That’s what was really exciting for me – bringing the two worlds back together.

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The first track on the original Ford One EP released in 2000, which was later released on the Album Lucy Ford: The Atmosphere EPs. One of the very few tracks released on an Atmosphere album which is not produced by Ant.

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