with questions. What about copyright? What about trolls? Once a text is annotated, is there less desire to work on it by a new crop of readers? That might ultimately make the site rather static. And what is the business model here? “I’m a Ph.D. in English,” Mr. Dean said. “I just started working here a month ago. I don’t have a great answer to that.” Nevertheless, Silicon Valley is excited: Marc Andreessen has invested $15 million in it. Annotating’s moment could finally be here.
Speak Up, the Internet Can't Hear You - NYTimes.com
9 years
especially young readers, from its hateful associations,” she said. “It still seems inappropriate to change an author’s text without permission or any indication that a change has been made.” Anyone who needs an anecdote about how the Internet is untrustworthy even when it is asking you to trust it, feel free to use this. The Genius annotation site deviates from the original Faulkner text.ShareSave0 CommentsShow Full Article xThe Genius annotation site deviates from the original Faulkner
As I Lay Lying: The Web Fixes Faulkner - NYTimes.com
9 years
Riggers? This is not the word in the edition issued by the estimable firm of Jonathan Cape and Harrison Smith that had been handed down to me. Someone had clearly taken it on himself to bowdlerize the text by slightly adjusting one of the most troublesome English words.
As I Lay Lying: The Web Fixes Faulkner - NYTimes.com
9 years
After I finished I wanted to know more, as readers do, and so I turned to that great resource, the Internet, in the hopes of illumination. And there I saw that Rap Genius, a start-up that has received a lot of funding to annotate lyrics and other texts, had tackled the story.The text was reprinted, and there were annotations throughout.
As I Lay Lying: The Web Fixes Faulkner - NYTimes.com
9 years
the earliest days of the Web and through the dot-com and Web 2.0 years, a string of companies tried and failed to make annotating online content a popular activity (see “A Standard for E-Comments”). Genius’s pitch isn’t much different.
Can a Rap Lyrics Website Finally Make Online Annotations Into a Popular and Profitable Idea? | MIT Technology Review
9 years
From the earliest days of the Weband through the dot-com and Web 2.0 years, a string of companies tried and failed to make annotating online content a popular activity (see “A Standard for E-Comments”). Genius’s pitch isn’t much
Can a Rap Lyrics Website Finally Make Online Annotations Into a Popular and Profitable Idea? | MIT Technology Review
9 years
$57 million in investment and a recent flurry of media interest after it hired the New Yorker’s music critic to help annotate song lyrics. Yet in some ways Lehman’s vision for the future is also ancient history.
Can a Rap Lyrics Website Finally Make Online Annotations Into a Popular and Profitable Idea? | MIT Technology Review
9 years
need/ I'm beggin' you please/ I'm down on my knees” refrain of “Friday Fish Fry”—it's striking to hear a voice you thought might've been familiar over the previous five albums given a new rendition. If the occasional lapses in songwriting are forgivable, the backgrounding of Kelis' voice is a lot harder to overlook. That new, strange rasp of hers is subsumed under layers of Sitek studio trickery: pushed back by horn sections when it should be riffing off them, given reverb that makes her sound more blurry than ethereal, multitracked or given backup harmonies in a way that dulls the intriguing edges of her voice. Even if the “Bless the Telephone” cover isn't the most characteristic or innovative cut, it's at least the most complementary—just her, Tunde, and an acoustic guitar all meshing together in a way
Kelis: Food | Album Reviews | Pitchfork
9 years
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