Have to admit, this album’s a grower.

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How you gonna do us like this Complex, he said the majority were right!

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After the hook this song samples the intro to “The Wizard” by Black Sabbath. The group were also banned from Saturday Night Live after they performed this song because DJ Muggs lit up a blunt on stage and they trashed the set after.

In an interview with The Village Voice in 2014, Sen Dog recounted the night, saying:

Well, there’s a lot of stories behind why Muggs lit that joint. I remember Saturday Night Live gave us a greenroom and said, “Do whatever you want in here, just don’t light up out of here.” Muggs felt like he needed to make a statement with his performance. It wasn’t just the Saturday Night Live people saying he couldn’t smoke up on air. It was everyone: our record label, our management, our friends. I felt like, to me, Muggs wanted to make that statement. He asked me to light the joint up on stage, and I said, “I’m not doing that, man.” Before we did that second song, we agreed that we weren’t going to light up nothing. If you look, I was surprised that he did that. People loved it — people at the show loved it, because at the after-party they said, “That was so cool.” But when the hammer swung and we were banned from Saturday Night Live forever, we understood how serious it was. And understandably so — the world wasn’t ready for anything near that at that time. If he did it now, I don’t know what kind of backlash he’d have, but in the early ’90s, it earned us a kick in the ass from Saturday Night Live, and I haven’t seen that episode in reruns. It would have been cool to do Saturday Night Live again, but me personally, I didn’t think it was a great thing to do for our first time on SNL, but we paid the price and we moved on.

Watch a video of their performance on SNL here:

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Like a killer on the streets, Dre could drop music at any time and bury the competition. The hysteria around this album alone was enough to make the most high profile stars feel small.

At the end of the day, Dre just wants to make money and enjoy the company of “thick” women.

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Since breaking out with N.W.A, Dre’s released two classics: The Chronic & 2001, and birthed careers of modern day greats like Eminem & Kendrick Lamar.

Rosecrans is a major avenue that crosses Compton, and is notorious location for gang activity. Dre compares “throwing up gang signs” to fans throwing their hands in their at a concert. Fellow West Coast rappers Kendrick Lamar & The Game have mentioned Rosecrans in the past.

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Dre’s last album 2001 was released in 1999, the same year the first Matrix film was released. He’s in a world where everyone looks the same, and he doesn’t understand the new fascination with tight attire – something spotted in The Matrix films on the regular.

His return to the rap game is a revelation of Biblical proportions – his third instalment, Compton is equal to an armageddon for unassuming new school rappers.

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Dr Dre’s been prescribing the rap game his concoctions for over thirty years and seems to have no intention of slowing down. Lately, his patience for contemporary rappers has waned, citing “over saturation” and “marriage to the internet” as two major concerns in his verse. As one of the most sought after producers of all time, and ever the perfectionist, it’s not surprising that Dre doesn’t want to associate himself with “wack” artists. Taking two hits of Dre’s “dopeness” would cause anyone but a great artist to effectively “overdose.”

Also, it’s no coincidence he mentioned prescription pills on a joint that features Eminem…

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